What We Know, What We Don’t: Persona in Memoir

There’s a point in Sue William Silverman’s new memoir, How to Survive Death and Other Inconveniences, where she’s writing about getting a phone call from her doctor, telling her she has an E. coli infection in her bladder. He prescribes the antibiotic, Macrobid. For Sue, who readily admits her hypochondria, the idea of taking the…

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The Artifacts of a Life

I have a small iron hammer, threaded at its end, that belonged to my father. Someone, although I don’t know who, made this hammer and threaded it to screw into the end of one of the hard plastic holsters where my father’s hooks usually fit. This way, my father, who’d lost both of his hands…

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This Is Who We’ve Always Been: Writing Memoir

I’m teaching a creative nonfiction workshop this semester for people who, for the most part, have never worked in the genre. I remember my own first steps into memoir. I had my first tenure-track teaching position, and I had to teach a graduate level cnf workshop. At that point, I’d published my first book of…

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Giving a Memoir Resonance

Facts alone do not a memoir make. First this happened, then this happened, then this happened. A sequence of memories is easy enough for anyone to recall from a particular period of time in his or her life. It may even be easy to see the causal links between the events on a timeline. Because…

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Time and Narrative in Memoir

When it comes to writing memoir, we can never give full expression to an entire life. We have too much from which to choose—too much time, too many moments, too many characters, too many questions. We can, though, find a narrative arc that, if handled skillfully, will contain more of the past, the present, and…

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The Last Time: Using the Past to See the Present and the Future

Last night, at The Ohio State University, we commemorated the conferring of MFAs on this year’s class with a gala reading from their work. We call this event Epilog. I’ve always wondered why whoever named the event didn’t go with the preferred spelling, Epilogue, but, no matter, the meaning is the same: an addition that…

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Memoir as Discovery

A childhood friend sent me a snapshot today, one I didn’t know existed, but one I was so very glad to see. It’s a photograph of me in the home of my childhood friend. I must be around ten or eleven. I’m sitting on what appears to be a love seat, or an oversized stuffed…

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Gather and Release: The Energy of a Narrative

Finally, after a brutal stretch of snow and ice and cold, temperatures have moderated, and the thaw has begun. All that snow will now melt to water and run off into streams and tributaries and storm drains. Once we get above freezing, it has to go somewhere, right? During what I like to think of…

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Making Stories Matter in Creative Nonfiction

I could tell you a story, as I do in my essay, “Bastards,” about the night a young man opened the back door to our house and stepped inside while my mother was washing dishes. I could recall, fact by fact, what happened next. The relevant question for those of us who write creative nonfiction…

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One Way to Shape a Narrative

Here we are on the other side of the Fourth of July. We’re in the heart of summer now, but I can feel its end and the coming of the crisp days of fall and then the biting winds of winter within the hot, sunny days that will still be ours for some time. Book-length…

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