The Scent of Peonies: Sensory Details and Memoir

Compared to a year ago, the world seems a bit more open. With COVID positivity rates dropping and mask mandates relaxing, a certain degree of normalcy is returning to our lives. I fear, though, that too many people think this signals the end of the pandemic, but, of course, it doesn’t. There’s still too much…

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A Memory of My Mother

In honor of all mothers on Mother’s Day, I offer this section from my new memoir, Gone the Hard Road.   On one of the last visits that I made to the nursing home when my mother still had language, she told a fantastic story about just getting back from Florida where she’d been at…

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To Say the Secret Things: Tips for Memoirists

I’m sure we’ve all had the experience of swapping stories with a group of friends, maybe out on the patio on a summer’s evening, or back in the pre-pandemic days at a dinner party. Someone starts to tell a story and then hesitates and says something like, “I really shouldn’t be telling you this.” Maybe…

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Memoir and the Dangers of Nostalgia

It’s 1974, and I’m eighteen years old. I drive a slant-six Plymouth Duster, and I wear my hair long and my jeans tight. I hang out at John Piper’s pool hall, where I play the pinball machines. When the weather’s good, I play basketball on the schoolyard. My game has never been better. I’m young…

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Research and Resurrection: Writing the Dead

The peonies are late this year. Here we are, Memorial Day weekend, and the buds have yet to open. When I was a boy, my mother made arrangements from peonies and irises in coffee cans anchored with gravel in their bottoms, and we drove from country cemetery to country cemetery, leaving those flowers on the…

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What We Know, What We Don’t: Persona in Memoir

There’s a point in Sue William Silverman’s new memoir, How to Survive Death and Other Inconveniences, where she’s writing about getting a phone call from her doctor, telling her she has an E. coli infection in her bladder. He prescribes the antibiotic, Macrobid. For Sue, who readily admits her hypochondria, the idea of taking the…

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The Artifacts of a Life

I have a small iron hammer, threaded at its end, that belonged to my father. Someone, although I don’t know who, made this hammer and threaded it to screw into the end of one of the hard plastic holsters where my father’s hooks usually fit. This way, my father, who’d lost both of his hands…

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This Is Who We’ve Always Been: Writing Memoir

I’m teaching a creative nonfiction workshop this semester for people who, for the most part, have never worked in the genre. I remember my own first steps into memoir. I had my first tenure-track teaching position, and I had to teach a graduate level cnf workshop. At that point, I’d published my first book of…

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Giving a Memoir Resonance

Facts alone do not a memoir make. First this happened, then this happened, then this happened. A sequence of memories is easy enough for anyone to recall from a particular period of time in his or her life. It may even be easy to see the causal links between the events on a timeline. Because…

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Time and Narrative in Memoir

When it comes to writing memoir, we can never give full expression to an entire life. We have too much from which to choose—too much time, too many moments, too many characters, too many questions. We can, though, find a narrative arc that, if handled skillfully, will contain more of the past, the present, and…

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