And Then What Happened?: Plot in Short Fiction

Jhumpa Lahiri’s story, “A Temporary Matter,” opens with this sentence: “The notice informed them that it was a temporary matter: for five days their electricity would be cut off for one hour, beginning at eight P.M.” Eerily resonant with the shocking news out of Texas this past week about the cold weather and the failure…

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Struggle and Empathy

We’re nearing the middle of January, which means the end of the month is in sight.  Given the challenges of the pandemic, I thought it interesting to revisit this post from a year ago. A native Midwesterner, I’ve always thought of winter as an endurance test, and each signpost along the way—the end of January,…

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Stories That Matter

I’m going to be presenting a session at the Erma Bombeck Writers’ Workshop on Friday, a session called “Writing Stories That Matter.” In preparation for that event, I had to think about exactly what I mean by stories that matter. William Faulkner, in his 1950 Nobel Prize acceptance speech, said, “. . .the young man…

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Happiness in Stories

I turned sixty-five on Friday, and it was a good day. I’d be lying if I said I never thought about the dwindling number of years left without a certain degree of apprehension, but for the most part I do my best to keep my focus on the here-and-now which still contains plenty that delights…

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Context in Fiction: Using the Past to Create the Present

Our friends, G. and S., came to visit last night. At one time, this would have been such a simple statement to make; on the surface it might have even seemed banal. These days, though, the ordinary fact of a visit carries with it a significance only available if one knows the context. Sometime in…

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Contradictory Layers: A Writing Exercise

Characters are interesting when they’re made up of contradictions. It’s those contradictions and the writers who recognize them that create the most memorable characters in works of fiction and nonfiction. If we give our characters’ free will—if we don’t fully know them too soon—they can take us to some interesting places that can either illuminate…

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The Precise Names of Things

Yesterday evening, Cathy and I drove down to the lake in Fryer Park, which is located off Orders Road about a mile from our home. It was a pleasant evening—humid, but overcast and with enough of a breeze to make things comfortable. We sat awhile on a bench overlooking the lake and then decided to…

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Loving Even Our Darkest Characters

My mother and father weren’t huggers, nor were many of the other adults where I grew up. Reticent Midwesterners all, they rarely offered more than a firm handshake. As I went through my adult years, my world expanded to include people for whom hugging was natural, and increasingly I found myself in social and professional…

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Noir and Literary Fiction: Plot Meets Characterization

Since 2004, Akashic Books, an independent publisher in Brooklyn, has published a series of noir stories set in specific locales around the world. Although I’ve never thought of myself as a noir writer, I’ve been invited to contribute to two of the books in this series—Memphis, Noir, and the recently released, Columbus, Noir. In fact,…

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Urgent Motivation: Putting Your Characters into Motion

Elizabeth Strout’s new novel, Olive, Again, begins like this: In the early afternoon on a Saturday in June, Jack Kennison put on his sunglasses, got into his sports car with the top down, strapped the seatbelt over his shoulder and across his large stomach, and drove to Portland—almost an hour away—to buy a gallon of…

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