Gather and Release: The Energy of a Narrative

Finally, after a brutal stretch of snow and ice and cold, temperatures have moderated, and the thaw has begun. All that snow will now melt to water and run off into streams and tributaries and storm drains. Once we get above freezing, it has to go somewhere, right? During what I like to think of…

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How We Spend Our Days: It’s Never too Late to Decide

I’m writing this post late on a Sunday evening because my wife and I spent the afternoon traveling from our home in Ohio to her hometown (a mere five miles from my hometown) in southeastern Illinois. We were supposed to make the trip tomorrow, but we decided to beat the snow that’s forecast for later…

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Writers and Uncertainty

Bernard Malamud once said, “Teach yourself to work in uncertainty.” I’d wager that at some point in the development of our craft, most of us have believed we had to know exactly where we were going with a piece of writing. In some instances, we were right. I’ve heard plenty of writers say they can’t begin…

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If “If’s” and “But’s” Were Candies and Nuts

It’s Christmas Eve, and I’m thinking of something my father always liked to say: “If ‘if’s’ and ‘but’s’ were candies and nuts, we’d all have a merry Christmas. How could he not pay attention to the way possibilities often disappoint us after the farming accident that cost him both of his hands—the accident he could…

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The Workshop Table Is a Welcome Table

Dusk comes early this time of year out in the country. Across the barren fields, pole lights come on in farm yards. Down a stretch of gravel road, headlights crest a hill and sweep across the horizon. Down lanes, lights fill the windows at houses, and sometimes I’m tempted to drive toward them, to knock…

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Ten Truths a Writer Needs to Accept

We’re at the end of another semester here at Ohio State University. I’ve gathered revisions from the students in my fiction workshops, and I’m starting to read through them. I’m celebrating the victories and pointing out the battles yet to be won. One student writes to say she’s getting comfortable with the messiness of the…

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Mystery and Reversal: The Art of a Story’s Middle

I’m thinking today particularly about those of us who write short stories. I know from my own experience, as well as from that of my students, that we often begin a story with a good deal of enthusiasm only to find it faltering in the middle. We spend so much time talking and thinking about…

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Shaping a Sentence

I’ve had a request to say some more about the process by which writers begin to internalize the artistic choices other writers make. For me, this process begins with the way in which I read other writers’ work. When I read, I’m constantly thinking about how a writer does what he or she does on…

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The Layers of Memoir

(In honor of Thanksgiving week, I’ve decided to rerun this section from my book, Telling Stories: The Craft of Narrative and the Writing Life, and with it to issue an invitation for you to let me know if there’s something particular you’d like me to talk about—some issue of craft, or some thoughts on how…

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