Nostalgia and the Memoirist
Last week in my MFA creative nonfiction workshop, the issue of nostalgia in memoir came up, and we explored the question of how a memoirist can deal in nostalgia without becoming nostalgic. Hmm. . . that may at first sound like a goofy question to chase around the workshop table, but please bear with me.…
Read MoreMaking a Scene in Bowling Green: Writing Memoir
When I was a boy, my mother often said to me, “Don’t make a scene.” So I grew up to be a writer in part, perhaps, so I could make all the scenes I wanted. When we write narratives, whether fictional or the personal narratives of memoirs and essays, we need to give ourselves permission…
Read MoreTaking Care at the End: The Art of Misdirection
I just got back from teaching in the Vermont College of Fine Arts Postgraduate Writers’ Workshop, and I wanted to give a recap of the craft class that I taught. The session was called “Taking Care at the End: The Art of Misdirection.” So please permit me a digression. The photo below was taken by…
Read MoreThat Kind of Place: An Argument for Nostalgia
Why is it, once you reach a certain age, that Sundays are loaded with nostalgia? Today, I’m thinking of summer Sundays when I lived on our farm in southeastern Illinois. I’m talking about an eighty-acre plot of land on the Lawrence County side of the County Line Road. Eighty acres of clay soil in Lukin…
Read MoreKlout: Online Influence and What It Means to Writers
Remember those high school days when you were always worrying over your popularity even if you acted like you weren’t, when you were trying to define a workable identity for yourself: a jock, a cheerleader, a stoner, a loner, a straight arrow, a good citizen, a lover, a fighter, and the list goes on. Remember…
Read MoreMartin and Dean: A Mashup
I’ve just returned from teaching at the Midwest Writers Workshop in Muncie, Indiana. What a wonderful gathering of writers! While I was there, I also had the privilege of delivering the keynote address as well as the opportunity to visit the land of James Dean in Fairmount, Indiana. Some folks have been asking whether I…
Read MoreWriting About Times Gone By
I can’t claim to be an expert when it comes to writing about bygone eras, but I’ve set a novel (Quakertown) in 1920s Texas, and one (The Bright Forever) in 1972 southern Indiana. I’m guessing 1972, forty years in the rear view now, makes that novel an example of historical fiction. One difference, of course,…
Read MoreSummer Writers’ Conferences
I hope everyone’s summer is going along nicely. Sure has been hot and dry here in Ohio. I’ve been on the road a bit since the school year ended, teaching first at The Sun writing retreat in the deep woods of northwest Massachusetts and then at the Nebraska Summer Writers’ Conference in Lincoln, NE, a…
Read MoreThickly Settled:Some Thoughts on MFA Programs
Now that the school year is done at Ohio State, I’ve hit the road to teach at some writing conferences. A week ago, I was in Rowe, MA, teaching at a retreat sponsored by The Sun Magazine. If you don’t know this amazing magazine, I hope you’ll check it out: http://www.thesunmagazine.org/ Personal, Political, Provocative. .…
Read MoreFrom the Creative Nonfiction Workshop: Week 10
Folks, we’ve reached the end of my ten-week MFA workshop in Creative Nonfiction, so this will be the last post from the trenches.What a glorious group of writers I had the privilege of sharing the table with on Tuesday afternoons. A big shout-out to each of them for the talents they brought to our workshop…
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