Persona and the Lyric Poem
This post comes early because I’m off to Vermont bright and early tomorrow morning to teach for a week at the Vermont College of Fine Arts Postgraduate Writers’ Conference. If you can tolerate it, I’d like to say one word more about persona, this time in connection with poetry. I’ve chosen this old lyric poem…
Read MorePersonae and Tone in Fiction
Personae and Tone in Fiction I’m still thinking about this issue of persona and how it contributes to the life of our prose. Part of the pleasure of reading a memoir comes from the resonance of different layers (or personae, if you will) of the narrator vibrating against one another. Does the same hold true…
Read MoreThe Art of the Twerk: Writing the Miley Cyrus Way
To start. . .ahem. . .with a sentence I never in my wildest dreams could have imagined writing: Miley Cyrus has something to teach us about writing. Intrigued? Read on. Shaking your head in disbelief? Wondering about my sanity? Stick with me. This post is all about the outlandish. It’s about encouraging outrageous personae as…
Read MoreTaking the Temperature of Writers’ Conferences
Since we’re in the midst of writers’ conference season, I decided to rerun a post this morning: If you’re of a certain age, you’ll remember the old thermometers, the ones that you had to keep under your tongue for four minutes, the ones you had to shake down with an expert snap of the wrist,…
Read MoreWriting to Preserve
I lost a pocket comb yesterday. It exists somewhere without me now. It was a black pocket comb, purchased in Anchorage, Alaska, to replace another comb that I lost there. I usually don’t lose combs, but now I’ve lost two in two months. * Loss informs so much of my writing. I’m forever interested in…
Read MoreJuggling Balls: An Exercise for Opening a Short Story
For whatever reason, I’m thinking this morning about the openings of short stories and what we expect of them. Rust Hills, in his excellent book, Writing in General and the Short Story in Particular, says the end of a good story is always present in its beginning. The final move of a story is only…
Read MoreMemoir and the Future
A few days ago, I was telling my cousin that I used to have problems managing my anger. She asked me what I’d done to help me let that anger go. Without thinking, I said I wrote a book called From Our House. It’s true. Writing that memoir about my father’s farming accident, the angry…
Read MoreTravel and the Writer
Because my father was a farmer, we didn’t travel much when I was a kid. The crops and the livestock needed constant attention. A farmer can’t afford to wander. It was only after my father sold our stock that we started to take a few trips. We went to the Illinois State Fair in Springfield…
Read MoreTaking Flight: First Drafts
A wild turkey crossed the road in front of me this morning, and as I slowed, it started to run through the grass—running, running, running in a most unseemly fashion before spreading wings, lifting into the air, and taking flight. Starting a piece of writing is sometimes that way for me. I feel like I’m…
Read MoreClose to the Bone: Writing Family Secrets
Over the weekend, I was at my aunt’s house and I was looking for a fork. I opened every kitchen drawer and found no silverware. Finally, I gave up and asked where a guy might find a fork? Turns out that my aunt has a concealed drawer that opens up above a drawer that holds…
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