Facing Intimidating Material: How Tall Are You?
When The American Scholar invited the essayist, Brian Doyle, to write something in response to the horrific events of 9/11, Doyle’s replied, “No, there is nothing to write. The only thing to say is nothing. Bow your head in prayer and pray whatever prayers you pray. There is nothing to say.” But, as Jennifer Sinor…
Read MoreHere in the Heartland: A Writer Looks Closely
We’re starting to make the turn toward autumn. Soy bean plants are yellowing in the fields. Cornstalks are starting to turn from green to brown. Goldenrod colors fence rows. Too often, I hear people disparage the Midwest for its lack of dramatic scenery. Here in the heartland, we learn to notice subtlety and nuance.…
Read MoreTen Quotes for Writers On Labor Day
On Labor Day, I like to give thanks for the fact that I’m able to spend a good portion of my time moving words about on the page. When I left college between my junior and senior year, I worked for a year and a half in the press room at a tire repairs manufacturing…
Read MoreMore: Revision and the Evolution of the Image
I’m working on a new essay that is. . .well. . .almost working, but not quite. Each time I read the draft, I get to the end, and I don’t feel that resonance that I should feel. This is a sign that I haven’t gone deeply enough into my material. I haven’t found all the…
Read MoreAnother School Year; Another Opportunity to Teach and Learn
Autumn Semester classes begin this week here at Ohio State University. Even after thirty-four years of teaching, this time of the year always lifts me up when I think of the time we’ll spend, my students and I, sitting around a table talking the talk about writing and literature. At the start of each school…
Read MoreTo Write a True Thing
I’ve just returned from teaching a novel workshop at the Vermont College of Fine Arts Postgraduate Writers’ Conference, and I want to share a writing exercise that I hope will help you know your characters better while also allowing your own vulnerability to take you to a deeper level of engagement with the material. The…
Read MoreWhen I Say Yes
Something happened last week that I can’t tell you about without potentially embarrassing another writer. That’s something I try to never do. We’re all laboring in the vineyard of words. I respect anyone who faces the blank page. Suffice it to say that the thing that happened became a test of my belief that we…
Read MoreAugust: Lawrence County
Hot, dry days. Cicadas chirring. The corn stands tall with its tassels and silks. The soybean plants bush out, nearly knee-high or better. Pickers snap cantaloupes and watermelons from the vines. Peaches, peaches, peaches. Here in southeastern Illinois, these are the dog days, the moment of pause before we make the turn toward autumn. Life…
Read MoreTying Knots: Strategies for Beginning a Piece of Fiction
A good piece of fiction opens by putting together some sort of knot that will have to be untangled by the end of the narrative. This knot can be constructed from characters who are at cross-purposes, or from a problem that has to be solved, a journey undertaken, a visitor whose presence challenges the status…
Read MoreHarper Lee and Lessons for Revision
This past week’s release of Harper Lee’s novel, Go Set a Watchman, has me thinking of the first time I was aware of To Kill a Mockingbird, not the book, but the film, which I saw with my aunt and grandmother at a drive-in theater when I was seven. I remember being completely engrossed with…
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