A Reckoning: Short Stories and Obligatory Scenes
Eudora Welty’s story, “Why I Live at the P.O.” opens like this: I was getting along fine with Mama, Papa-Daddy, and Uncle Rondo until my sister Stella Rondo just separated from her husband and came back home again. Mr. Whittaker! Of course I went with Mr. Whitaker first, when he first appeared here in China…
Read MoreDon’t Give It to Me Straight: A Non-linear Approach to Memoir
A large part of the memoir writer’s task is to decide what to leave out. After all, we’re talking about the span of a life, and we certainly can’t include everything. Our initial instincts with memoir tell us that a certain degree of chronology is in order. We’ll move from this point in time to…
Read MoreLooking Outside the Self: Research and the Personal Essay
This morning, my wife and I watch a swan gliding along on the lake near the bank, and we talk about how unusual it is to see this lone swan when we typically see two, three, as many as six. I know, because my wife passed along information she got from a game warden who…
Read MoreGetting Started: Tips for Beginning a Narrative
Spring Semester classes begin this week at Ohio State University, a fact that leads me to thinking about beginnings in general and the openings of narratives in particular. More to the point, I’m thinking about the ways we get stories started when we’re not even sure what stories we want to tell. How, in other…
Read MoreWriting a Novel: To Outline or Not to Outline
I often get asked how long it takes me to write a novel. My standard answer is three years, but really I have no idea. It’s hard to pin down because how do we know when the writing begins? Oh sure, I know when I first put pen to paper, or first pressed fingers to…
Read MoreTen Tips for Short Story Writers
Garrison Keillor, in Leaving Home, says, “A lovely thing about Christmas is that it’s compulsory, like a thunderstorm, and we all go through it together.” There’s something here that speaks to the short story form. What is a well-told story but a thunderstorm that we—writer, character, and readers—experience together. I’ve been thinking quite a bit…
Read MoreFrom Draft to Revision: What It Takes to Write a Novel
I’m about to start revising a manuscript for a novel that I finished long ago enough that I can’t remember exactly when I did finish it. When I started the draft, as usual, I didn’t have much of an idea where I was going, but more important than that, I didn’t know what the story…
Read MoreSound, Scene, Metaphor, Memoir
Last week, I wrote about using sensory details to take us to material from our lives that might merit examination in a piece of memoir. This morning, I woke up thinking about sounds from my childhood. It seems to me that we all have a few sounds that take us back into the past—sounds that…
Read MoreSensory Details and Memoirs
I was coming out of a Target store yesterday, when the scent of discount store popcorn immediately took me back to my childhood in Oak Forest, IL. Saturdays, I’d go with my parents to Markham to shop. We’d get groceries at Jewel Foods and sundry items at Zayre’s. I remember the smell of the popcorn…
Read MoreTen Tips for Constructing Plots
A friend of mine, an excellent poet, was talking to me recently about plot. He didn’t understand, he told me, how we fiction writers did it. It was beyond him how we string a series of events together into a story. So here are ten tips for constructing a plot. 1. Plot always begins with…
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