My Aunt among the Rocks

My Aunt Mildred passed away last week, so I’m rerunning this post from two years ago as a tribute to her. When I was a small child, she took me to the gravel road that ran by my grandmother’s house and patiently sat with me while I hunted for rocks, which I found, for whatever…

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Why I Write Novels

People often ask me how I know when I have material that I think might work in a novel. It’s no secret that each of my five novels has been based on actual events from the news, but news isn’t what first seduces me. What hooks me every time is usually something that I have…

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Characters’ Actions: The External and the Internal Life

I believe it was Eudora Welty who said that one of her biggest challenges in writing was to get a character to walk into a room. Such is the small business that looms large in the writing of any narrative. How do we make our characters’ actions convincing and properly motivated? How do we know…

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My Mother’s Hands

(In memory of my mother on Mother’s Day, I re-post this from a couple of years ago):   My Mother’s Hands Because my father lost his hands, my mother made a gift of hers. Cuticles ragged, knuckles scraped, fingernails smashed—farm work showed her no mercy. Her hands were made for more delicate things, but she…

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Dear MFA Grads

It’s that time of year again—graduation—which means the time has come to bid a fond farewell to another class of MFA students. On Saturday night, here at The Ohio State University, we celebrated, as we always do, with a gala event at which twelve poets and prose writers showed us exactly what they’d been up…

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No One Ever Comes Here

I’m posting early this week because I’ll be in West Virginia visiting two campuses of Southern West Virginia Community and Technical College, a land of mountains and switchbacks and steep roads that don’t run straight. On Monday, I’ll be talking to the students there—students who have been reading my work—even though it means I won’t…

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Mix It Up: What to Do When You’re Stuck

Writers, like long-distance runners, tend to hit the wall at some point of the composing process, that point where the writing threatens to shut down, when we feel totally disengaged from our material, and the words are wooden, or won’t come at all. In my own case, this has led to hours of staring out…

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To Make You See and Feel: The Art of Description

When we construct a narrative, either in fiction or creative nonfiction, we have to build a believable world from the particulars we create or remember. Our first obligation, then, is to notice everything. Joseph Conrad says, “My task, which I am trying to achieve is, by the power of the written word, to make you…

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Writing Family History

In 2003, the University of Nebraska Press published my book, Turning Bones, as part of their nonfiction series, American Lives. The book was a blend of fact and fiction. I used information gathered about paternal ancestors I never knew to invent them on the page and to find the intersections between them and me. Part…

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