Archive for January 2017
A Reckoning: Short Stories and Obligatory Scenes
Eudora Welty’s story, “Why I Live at the P.O.” opens like this: I was getting along fine with Mama, Papa-Daddy, and Uncle Rondo until my sister Stella Rondo just separated from her husband and came back home again. Mr. Whittaker! Of course I went with Mr. Whitaker first, when he first appeared here in China…
Read MoreDon’t Give It to Me Straight: A Non-linear Approach to Memoir
A large part of the memoir writer’s task is to decide what to leave out. After all, we’re talking about the span of a life, and we certainly can’t include everything. Our initial instincts with memoir tell us that a certain degree of chronology is in order. We’ll move from this point in time to…
Read MoreLooking Outside the Self: Research and the Personal Essay
This morning, my wife and I watch a swan gliding along on the lake near the bank, and we talk about how unusual it is to see this lone swan when we typically see two, three, as many as six. I know, because my wife passed along information she got from a game warden who…
Read MoreGetting Started: Tips for Beginning a Narrative
Spring Semester classes begin this week at Ohio State University, a fact that leads me to thinking about beginnings in general and the openings of narratives in particular. More to the point, I’m thinking about the ways we get stories started when we’re not even sure what stories we want to tell. How, in other…
Read MoreWriting a Novel: To Outline or Not to Outline
I often get asked how long it takes me to write a novel. My standard answer is three years, but really I have no idea. It’s hard to pin down because how do we know when the writing begins? Oh sure, I know when I first put pen to paper, or first pressed fingers to…
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