Visual Images and the Writing of Narrative

Visual images can often suggest narratives. Such is the case with the one that opens this post, a photograph of a pair of hot pink stilettos lying the tall grass. How did they get there? Who was wearing them, or were they wearing them? Where were they going? What happened when they got there? Did…

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The Hidden Object: A Prompt for Fiction Writers

This week before Christmas, I’m thinking about how, as a child, I couldn’t resist searching for presents my mother had hidden from me. I wish I could say I was a better kid who could resist that temptation, but, alas. . . . Of course, one of two things happened whenever I found a gift…

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Just Give It to Me: Clarity in Fiction

Without intending to, we sometimes withhold important information about the premise of our narratives in our attempts to be mysterious. The problem with such a strategy is it can lead to confusion. Readers can spend too much time trying to figure out the context of the story. As a result, their attention is kept from…

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Mystery and Reversal: The Art of a Story’s Middle

I’m thinking today particularly about those of us who write short stories. I know from my own experience, as well as from that of my students, that we often begin a story with a good deal of enthusiasm only to find it faltering in the middle. We spend so much time talking and thinking about…

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Compression and Expansion in the Short Story

I heard Hilma Wolitzer say once that writing a novel was easy; you just brought in all the family. Her point was that the form of the novel invites a larger world than that of the short story. The novel makes room for a large cast of characters and events as well as a broad…

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